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Spike Lee is the most prolific black filmmaker of his generation. No filmmaker has made more films, and polarized viewers as much for his artistry and his politics as has Lee. Tyler Perry arguably has more mainstream success, but Lee has earned more respect over time. From his 1986 debut “She’s Gotta Have It” to his latest “Red Hook Summer,” Lee, now 55, is more auteur than most people realize. His unrepentant vision and his commitment to telling a story the way his unique creative eye sees it makes him both revered by his fans and hated by his detractors.  Lee has released 18 feature films, made 12 documentaries and executive produced several other film projects, winning an Emmy for his HBO documentary “When the Levees Broke” about the devastation of Hurricane Katrina. Yet there are a few of his films that have somehow gone less heralded than others. We pay tribute to five of our favorite underrated Spike Lee joints.

GET ON THE BUS (1996)

Twelve men from the Los Angeles area travel to Washington, D.C. to attend the Million Man March in 1995. Along the way, they debate, argue and make stops, some of which turn out to be troublesome. This movie premiered on the one-year anniversary of the March and starred several Lee regulars including Thomas Jefferson Byrd and Roger Guenveur Smith. Isaiah Washington, Ossie Davis, Wendell Pierce (who went on to star in“The Wire”) and Bernie Mac also appear. In “Get On the Bus” conflicts become escalated in the close quarters and threaten the trip. This is one of Spike’s best, rife with political and historical overtones that provide a window on how the historical subjugation of black men has impacted their lives and relationships to this day.  It’s also one of the few films Lee directed that he didn’t write – the writer on this is writer/director Reggie Rock Bythewood, who wrote the HBO film “Dancing in September.”

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(Source: Black America Web)